Redundancy

DNEG London allegedly announce 200 redundancies in company-wide meeting today

 

According to a post on the r/vfx reddit channel, DNEG have allegedly informed their employees around 200 people from various departments will be receiving news later today (09/06/2020) that they will made redundant. The post from the reddit post reads:

Throwaway this time, just in case. Just been informed in a company-wide meeting that around 200 people from various departments will be receiving news later today that they will be made redundant. Comes as the deadline for the furlough scheme end tomorrow (Wednesday 11th June). Despite people being made to take pay cuts as a way to prevent job losses, it seems that DNEG has decided to move forward with these redundancies. Terrible news to hear when people were outright told that due to pay cuts, redundancies would be kept to a minimum. Hopefully, everyone affected by these layoffs stays safe and manages to find work elsewhere in the coming months
— anon

This is developing news and we will report as and when we find out more information on the matter. Though, the news has already been confirmed by a number of our AVU members.

Any staff affected are urged to get in touch with the AVU if you are worried or need consultation on where you stand. Consider joining today and help make our industry a safer and fairer place to be.

Your AVU



 

Bohemian Rhapsody VFX workers owed thousands as Halo VFX goes into administration

Bohemian Rhapsody VFX workers owed thousands as Halo VFX goes into administration

Despite recent news from the BFI that the VFX industry contributed £1BN to the UK economy, freelance visual effects artists have been left thousands of pounds out of pocket after a VFX firm went bust.BECTU union, which represents VFX freelancers, is currently handing cases totalling more than £53,000, owing to four of its members following the collapse of Halo VFX Limited

MPC Cuts Comp Jobs in Canada

It happened in London, and it's about to happen again in Canada.

We've heard reports that 90% of the compositing department for Montreal will be let go/have their contracts run out shrinking the Montreal office down to around 20 core compositing crew (including supervisors).This sadly includes some new recruits form MPC's comp academy, many whom having relocated internationally for the opportunity to work with MPC, were being told that as soon as the course concludes they will also be let go. You can imagine moving half-way across the world and just starting out, to learn a short time later that you're going to have to move again.This seems to be a departure from MPC usual hiring of the comp academy graduates and letting go mid-level compers. Even seniors appear to be having their visa renewals reduced. Does this spell the end for their Montreal office?Montreal doesn't appear to be the only Canadian MPC suffering from cut backs, as we've also hear rumours of cuts in the Vancouver office. We can only wonder what this mean for compositing jobs in general at MPC.I know there were some people that speculated that it was the threat of unionization that may have contributed to cutbacks in London's compositing department, but that wasn't really happening in the Canadian offices, could it be that really this was their plan all along? Many people would have said that writing was certainly on the wall, well before BECTU joined the fight for better working environments. Our hearts and solidarity go out to our fellow colleagues in Canada who are facing the loss of their jobs or are affected.Has this affected you? Let us know!VFX workers have to stick together, and it's sad when companies bottom lines affect real human lives with such stark consequences for workers of having to be let go and move cities. It's something many VFX workers know all too well.Edit: Small edit made about production staff. Apparently they will not be considerably reduced, but instead will move to other departments for the time being.

MPC to offer absolute minimum redundancy payments?

Statutory redundancy. Only statutory redundancy.

Last week, we posted our astonishment at MPC's general attitude as a company to talent and quality. Readers will remember that they're largely closing down the Compositing Department that won them the Oscar for Jungle Book a few short months ago - and they're replacing them with the sort of low wage "trainees" that they can get (thanks to Apprenticeship subsidies) to mind the shop until they need to crew up again for a big job.

It couldn't stink any more than it does, right?

Wrong.

If what we are hearing is correct, the award winning staff that are being made redundant are being told that they will only receive "statutory redundancy." That is the absolute minimum redundancy payment that can be paid without being illegal.

Normally, when someone is in a high-value occupation, they would expect the employer to want to retain their skills by offering them a reasonable package - not just a reasonable rate for the hours that they work (not including unpaid overtime).

They would expect at the very least...

  • A reasonable amount of sick pay - allowing for some paid time off if you get the lurgy
  • A competitive pensions package that shows that the employer has your long-term interests at heart
  • A humane approach to your working hours - knowing what all good employers know - that you get more productivity from sensible hours than you get from seven long-day weeks.
  • A notice-and-redundancy package to reassure them that they won't be let go lightly

When employers say that they aim to value and retain staff, one would tend to expect something like "a month for every year" deal - this is a tax-free (up to £30k) payment of one month's salary, plus a notice period of three months. This is the kind of deal you would expect from a company in this sector (if the company recognises unions, anyway).

This means that they will pay you one month's salary for every full year you have worked for them as "compensation for loss of employment" along with a notice period that they may or may not need you to work (but you will get paid for them if you don't work it).

Some of the more cheapskate employers go for "three weeks for every year" or something like that, but as far as the visual effects industry goes, they never act this way. For these employers, what's on the table is rarely more than the absolute bare legal minimum.

 

The London VFX facilities offer only one week for every year that you have worked - capped at £489 - a lot less than a quarter of what some employees in other comparable industries get for redundancy.

The 'statutory cap (for workers aged under 41) at only £489 per week is particularly insulting. So someone earning, say £40,000, who has worked for five years at a company offering the standard "month for every year" and "three months notice" deal would earn around £16,700 tax-free redundancy and would have a three month notice period, or a payment of £10,000 if they didn't work it.

The same employee, now being laid off from MPC - having just won them an Oscar - would get a tax-free payment of only £2,445 and five weeks pay of £3846 - if the employer decides not to make them work their notice period (we're not clear yet what the deal is on this).

The bottom line is, vfx facilities like MPC want to reap all the rewards from their employees, but are not willing to go the extra mile to show how much they value the dedication and talent of their workers. Not so long ago in November, 2014, there was an article in Variety where the CEO of MPC Mark Benson said that for The Moving Picture Company, "Valuing Artists is the Best Effect".

Everybody knew it wasn't true back then and it seems very much like isn't true today either.